The work was considered as a space installation which discovers piece of work of one unknown living Serbian painter Miodrag Pejčić.
The installation itself was a replica of the room, where the painter used to live and work and most of his paintings are installed in that space. The installation of the room was placed in a ma
in Ceremonial Hall of the museum. In that way, two different spaces were confronted; one intimate space – the replica of the painter’s room and another – a public space of the museum.
Spectators entering the installation became unexpected guests, visitors of household where art works occurs.